Rainy dream - for the Analog (film) photography community.

I have to confess - i have much more film cameras then i have digital shooters. It's not a big deal - due to the film cameras limitation, when one is willing to have a different finishing, not cropped digitally, but originally with the type of th camera format, this creates certain difficulties and push the artist to use different cameras for each format.

Film 135 regular and panoramic, Medium 120 film format 6x4.5, 6x6, 6x7 or 6x9, 6x17. I already don't talk about the Large format options.

I'm not even talking anymore about the Lens focal lengths. It's like a big chaos in the dark and dense forest. I don't use variable lenses, only the cameras with a built in prime lenses or attachable but still prime focal length - 28, 35, 50, 80 (for medium format) and 135mm.

I'm not complaining, but sometimes i have a big troubles to decide which one i will take to my walks and trips. Even then, i'm very strict with which of them i use for this or another kind of photography. And sometimes the specific film, loaded to specific camera is deciding for me, due to another limitation of the film speed and the light conditions at this day (or this night).

Another definition is the presence of built-in flash on my film cameras. I have only two of them (right now when another one is being repaired), so, only two are available for the night photography, when some street scenes or rock'n'roll stages need this kind of artificial (not AI) lighting.

This one photographed with the Nikon F2 camera made in 1972 and attached Nikkor 135mm lens from the same years. I used ilford Kentmere 400 film pushed to 1600 and developed in Kodak HC-110.

The camera :

The process :

And the leftovers :

Printable Art of many of my works is available in my Redbubble Store :

https://www.redbubble.com/people/Stran9e/shop?asc=u&ref=account-nav-dropdown