Film Review: Case 39 (2009)
When a film remains on the shelf for years before its release, it often indicates that the producers harbour significant doubts regarding its quality. Such was the case with Case 39, a horror film directed by Christian Alvart that was completed in 2006 but did not see the light of day until 2009. This prolonged delay typically suggests that the fears surrounding the film’s viability were well-founded, and indeed, the eventual box office performance and critical reception of Case 39 reflect this sentiment. Despite its lacklustre performance and harsh critiques, it would be unjust to label it as entirely without merit; there are elements within the film that redeem it from being a total failure.
The protagonist, Emily Jenkins, portrayed by Renée Zellweger, is a dedicated social worker assigned to investigate Lillith “Lilly” Sullivan (played by Jodelle Ferland), a ten-year-old girl who exhibits signs of potential abuse at the hands of her parents, Edward (played by Callum Keith Rennie) and Margaret Sullivan (played by Kerry O’Malley). Emily finds that the truth is even more horrifying than her initial suspcions when she intervenes just in time to prevent Lilly's parents from committing an unspeakable act against her. Following their institutionalisation, Emily temporarily takes Lilly into her care before suitable foster parents can be found. However, as strange and unsettling occurrences begin to unfold around them, Emily starts to suspect that Lilly may not be the innocent child she initially appears to be.
The screenplay by Ray Wright lacks originality, drawing heavily on well-worn conventions found in numerous horror films and psychological thrillers. This reliance on cliché makes it easy for seasoned viewers to predict plot twists and outcomes well in advance, including the film's conclusion.
Christian Alvart, known for his work on the science fiction film Pandorum, manages to utilise Vancouver's locations effectively and assembles a commendable cast. However, his direction reveals a significant flaw in pacing; certain scenes feel overly repetitive and predictable, contributing to a runtime that stretches nearly two hours without sufficient narrative momentum.
Renée Zellweger delivers a competent performance as Emily Jenkins, effectively portraying her character's emotional turmoil and dedication to her work. She manages to outshine her on-screen and off-screen love interest Bradley Cooper, whose role feels underdeveloped and somewhat superfluous. Veteran actor Ian McShane also contributes positively as Detective Barron, embodying the archetypal sceptical police officer with aplomb. His presence adds a layer of gravitas to the proceedings, even if his character is somewhat predictable.
However, it is Jodelle Ferland as Lilly who truly stands out in Case 39. The young Canadian actress brings an unsettling depth to her role, successfully conveying both innocence and an underlying menace. Her performance hints at a talent that would allow her to transition seamlessly into adult roles in later projects such as Cabin in the Woods and Dark Matter.
Ultimately, while Case 39 is not particularly good—nor is it particularly bad—it exists in a liminal space where it fails to satisfy critical expectations yet offers enough intrigue for horror aficionados willing to lower their expectations. Critics were understandably disappointed by what seemed like wasted potential given the star power of Zellweger and McShane in what otherwise feels like a low-budget genre film. Nevertheless, for fans of horror who approach the film with tempered expectations, there are moments of enjoyment to be found amidst its flaws.
RATING: 5/10 (++)
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